Assassin’s Creed. 1 Link, full rip.
Link:
http://rapidshare.com/files/136830629/Assassin_s_Creed_www.nladevilz.com.rar
Crack:
http://rapidshare.com/files/136830925/Assassin_s_Creed_www.nladevilz.com.crack.rar
Pass:
www.nladevilz.com
The download is a .exe that downloads files off of a server. It has been tested virus free.
Minimum Requirements:
Quote:
* CPU: Intel Pentium D 2.6 GHz / AMD Athlon 64 X2 3800+ (dual-core)
* System Ram: 1 GB (XP), 2 GB (Vista)
* Operating System: Windows XP / Vista, 64bit editions not supported
* Drive Type: dual-layer DVD Drive
* Free Disk Space: 8 GB
* Video Card: 256 MB DirectX 10.0 Graphics Card or DirectX 9.0–compliant card with Shader Model 3.0 or higher, PCI Express
* Sound Card: DirectX 9.0 or 10.0–compliant
Recommended Requirements:
Quote:
* CPU: AMD Athlon 64 X2 4400+ / Intel Core 2 Duo 2.2 GHz or better
* System Ram: 1 GB (XP), 2 GB (Vista)
* Operating System: Windows XP / Vista, 64bit editions not supported
* Drive Type: dual-layer DVD Drive
* Free Disk Space: 8 GB
* Video Card: 256 MB DirectX 10.0–compliant video card or DirectX 9.0–compliant card with Shader Model 3.0 or higher, PCI Express
* Sound Card: DirectX 9.0 or 10.0–compliant, 5.1 Channel Surround
Quote:
Assassin’s Creed features one of the most unique gameworlds ever created: beautiful, memorable, and alive. Every crack and crevasse is filled with gorgeous, subtle details, from astounding visual flourishes to overheard cries for help. But it’s more than just a world–it’s a fun and exciting action game with a ton of stuff to do and places to explore, rounded out with a complex story that will slowly grab you the more you play. The PC version has a few more issues than its console counterparts, and the keyboard-and-mouse controls strip away some of the smooth magic of exploration. Nevertheless, if you don’t mind plugging in a gamepad and have a system that exceeds the system requirements, you’ll find the same free-form travels and atmospheric game world that console owners enjoyed last year.
Not enough can be said about the living, breathing universe that you’ll inhabit in Assassin’s Creed. As assassin extraordinaire Altair, you’ll explore three major cities of the Holy Land in the 12th century: Jerusalem, Damascus, and Acre. Each city is beautifully rendered from top to bottom and features meticulously crafted towers that reach for the sky, bustling market squares, and quiet corners where citizens converse and drunks lie in wait to accost you. As you wander the streets (and rooftops), you’ll push your way through crowds of women carrying jars on their heads, hear orators shout political and religious wisdom, and watch town guards harass innocent victims. Altair has a profound effect on this world, but the cities are entities all their own, with their own flows and personalities.
The visual design has a lot to do with how believably organic everything feels. The cities are absolutely huge, and though you don’t get full exploration privileges in the first few chapters, they eventually open up to let you travel seamlessly from one side to another. Everything is beautifully lit with just the right amount of bloom effect, and almost everything casts a shadow, from tall pillars to Altair’s cloak. In fact, sometimes the shadows get to be a bit much and may make you think for a moment that there is artifacting on your screen, when in fact it’s a character’s head casting a shadow on his or her own neck. Every object, from scaffolds to pottery, is textured so finely that you’ll feel as if you could reach out and touch it. Animations are almost as equally well done. Altair scales walls, leaps majestically from towers, and engages in swashbuckling swordfights that would make Errol Flynn proud. And he does it all with fluid ease, generally moving from one pose to another without a hitch. Minor characters move with less aplomb, but that’s easy to forgive, considering that the cities are populated with thousands and thousands of individuals.
On a high-powered PC, these elements look even more stunning than they did on the Xbox 360 and PlayStation 3, but the splendor comes with a price: The minimum requirements to play Assassin’s Creed are surprisingly high, particularly where the CPU is concerned (a dual-core processor is mandatory). On one test PC that runs Crysis at a respectable frame rate on medium settings, Assassin’s Creed slowed to a crawl at lower settings. A high-end test machine ran the game with much better results, though with some occasional slowdown.
What you hear is even more impressive than what you see. At the top of a temple, you hear little but the rush of wind, the twittering of birds, and the barking of a far-off dog. In the most populated areas, your ears will fill with the din of street vendors, the pleas of beggars, and the occasional humming. It’s never too much, though, and the game does a good job of making sure you hear what you need to hear (for example, the cries of citizens who need your help) without filling your ears with pointless noise. The voice acting of the supporting cast is similarly remarkable. Conversations are completely believable and delivered with the perfect amount of solemn dignity. Oddly, the weakest link is Altair himself. Actor Philip Shahbaz does an all right job, but he isn’t up to par with the first-rate acting of his fellow troupe. Rounding it all out is a beautiful orchestral score that is most notable for its subtlety. Many of the game’s most impressive moments are accompanied by lovely musical themes that add even more threads to the game’s rich living tapestry. We did run into some audio glitches on two of our three test systems, however, in which sound effects would occasionally stutter and hitch. The game’s readme file included a potential workaround for this issue, though in our case, it didn’t solve it.
